IPTN: Our Workshop

Theatre X: PlaybackOur workshop provided an opportunity for directors, and individual performers, to think with us about disability, inclusion, and aesthetics. The time allotted to the workshop passed much too quickly as we engaged in a deep conversation about these difficult topics.

One  of the most challenging aspects of any conversation about theater and disability is making the distinction between theater for, theater by, theater to, and theater with. Still other categories have been suggested, perhaps in an effort to thicken our understanding of this thorny topic.

These distinctions have evolved to address the difference between theater practices that nominally include persons with disabilities, those provide programing to persons labeled as disabled, and those that seek to be truly inclusive. The latter may originate in group or individual work by disabled persons, or by ensembles of “mixed abilities,” in which the presence of disability is acknowledged, but normalized, resulting in an aesthetic that explores the differently abled body-mind as a vehicle for storytelling in myriad ways. Continue reading

IPTN: Conundrums and Burning Issues

DSC00701Montreal was hazy, a thin layer of smoke hung over the city. Tens of thousands of aces of forest were ablaze in northern  Canada, and the smoke from those fires rode the westerlies to Montreal. Some days were worse than others, resulting in hacking coughs and burning eyes.

At the conference, this haze was a thread running through the fabric of our days. The unofficial theme of the second day was life at the intersection of identity and social justice; many stories were shared, narratives echoing older, sometimes archetypical  stories, yet vibrantly alive in the present. We were reminded that we embody ancient human concerns, desires, and aspirations, that we are, somehow, walking in the footsteps of the Holy Ones. Continue reading