I have been writing about the conference from the position of one who, although having performed Playback for many years, has attended only two Playback conferences, this being the first truly international one. In contrast, many of those who attended had attended several conferences, and friendships among them may go back scores of years. In writing about the conference I have attempted to listen, and to give voice to a range of beliefs and attitudes. Still, the writing is based squarely in my own experience and thought, and reflects my experience.
There are many forces at play in any international gathering, especially when social change is on the agenda, and this conference was no exception. On the last day of the conference, as so often happens, some of the deep conversations that had alluded us as a group began to take place. Continue reading
Our workshop provided an opportunity for directors, and individual performers, to think with us about disability, inclusion, and aesthetics. The time allotted to the workshop passed much too quickly as we engaged in a deep conversation about these difficult topics.
One of the most challenging aspects of any conversation about theater and disability is making the distinction between theater for, theater by, theater to, and theater with. Still other categories have been suggested, perhaps in an effort to thicken our understanding of this thorny topic.
These distinctions have evolved to address the difference between theater practices that nominally include persons with disabilities, those provide programing to persons labeled as disabled, and those that seek to be truly inclusive. The latter may originate in group or individual work by disabled persons, or by ensembles of “mixed abilities,” in which the presence of disability is acknowledged, but normalized, resulting in an aesthetic that explores the differently abled body-mind as a vehicle for storytelling in myriad ways. Continue reading
Montreal was hazy, a thin layer of smoke hung over the city. Tens of thousands of aces of forest were ablaze in northern Canada, and the smoke from those fires rode the westerlies to Montreal. Some days were worse than others, resulting in hacking coughs and burning eyes.
At the conference, this haze was a thread running through the fabric of our days. The unofficial theme of the second day was life at the intersection of identity and social justice; many stories were shared, narratives echoing older, sometimes archetypical stories, yet vibrantly alive in the present. We were reminded that we embody ancient human concerns, desires, and aspirations, that we are, somehow, walking in the footsteps of the Holy Ones. Continue reading
Last week we were at the International Playback Theatre Network (IPTN) conference in Montreal, where along with marvelous summer festivals, the city was discussing the Oka crisis of twenty-five years ago. In a very familiar conversation, Federal and provincial governments were heralding the great improvement in their relations with First Nations people, while many Indigenous communities maintain not much has changed.
At the conference, there was a general absence of Aboriginal voices. The conference organizers attempted to enlist local First Nations people in opening the conference but were unable to do so till the last moment. In the end, the young Innu woman who invoked the spirits and blessed the conference participants was magnificent. Continue reading