Between Winter and Spring

Today is another crystalline March day, somewhere between winter and spring. The Croci are coming into bloom and the daffodils are growing taller each day. Most days also bring more bird song as those birds that do not overwinter slowly filter in and the resident birds become more territorial. Yesterday we made it to the ice cream stand for the first taste of spring.

Lately I have found myself thinking about the similarities between the present moment and the fifties and early sixties. During that epoch in the U.S. the Cold War and the imminent threat of nuclear inhalation shaped the political and cultural landscape. There was fierce pressure on everyone to fit in and difference was magnified, punished or ignored. The World War had changed everything and nothing, and social turmoil stewed just under the surface. The society became harshly repressive in a failed effort to keep a lid on the forces demanding change.

In the mid-fifties a relatively safe and effective polio vaccine was found and administered, ending the yearly pandemics that terrorized much of the world. Here, the March of Dines, which was founded to fight polio, in spite of promises to support survivors, turned towards now more lucrative fund raising targets. In the public imagination, polio was gone and so were those of us who survived it, an erasure that would be repeated when veterans returned from the failed Vietnam war.

We polio survivors were taught that we were now to be normal (an impossibility) and to forget polio and move on with our lives. Parents were told not to talk with us about the experience of the illness or its ongoing impacts. For many of us there was literally no one to talk to and no way to process the devastation, a crazy making experience.

In my family, tragedy was acknowledged but quickly left behind. When my dad accidentally stepped on our pet Myna bird (she loved to sit with me and Tom the cat on the floor). There was a gut wrenching cracking noise that still reverberates in my mind; the bird died a short time later. Another time we had to move across country, and as was the practice at the time, my dad sadly gave away Tom, who had been my best, and sometimes only, friend since polio. He came home to report that Tom had bolted and was lost.

In keeping with the time, there was no recognition of the losses and no way to grieve. I lost two dear friends and there was literally no way, and no one, to talk to about the hurt. Losses ,even very recent ones, were in the past and we were to face forward.

The similarities between the plight of us polios and the fate of black people were to many and too obvious (we were both erased and told to go to the back of the metaphorical bus), and many polio survivors were active in the civil rights movement, and later, led the disability rights movement. It’s heart breaking to find the culture consciously returning to those repressive, frigid, days.

Several historians have postulated that the U.S. has long, recurring cycles that flux between self-focused greed and community focused generosity. In the greed part of the cycle things can get very bad, indeed, before the turn around. If history holds, we should be near the end of the cycle and the turn can be unforeseen and rather abrupt. Let’s hope so.


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6 responses to “Between Winter and Spring”

  1. Oh, my! So very sorry. I read this post with tears in my eyes. For some reason, today has been a down day for me. “What I got they used to call the blues.” But I did take comfort from your ending sentence. Fingers, toes, and everything else crossed that the turn comes soon.

    1. I’m sorry to hear you are blue. There is, sadly, much to be blue about these days, and then there are our own personal blues. I never know how sharing a sad story will go, but I do know that right now some sad stories need to be told. You know, sharing the blues (the stories behind the blues)is a century old Native and Black practice of community and resistance. When the blues aren’t shared they can become dangerous.

      There is so much effort going into erasing stories and histories, and silencing difference right now, that telling stories, especially blue ones, seems crucial. It is easy to be convinced the personal is unimportant, or dangerous, but telling personal stories is powerful and an act of deep resistance. I have been spending time with an HIV positive friend who reminds me that during the time when Regan let thousands of people die of AIDS, personal stories became crucial; thus “silence equals death”.

      Speaking of the blues,I once had the great good fortune to go to the teen center with my college girl friend to pick up her younger brother. For some reason we never managed to figure out, James Cotton and Albert King were playing with their bands and all the kids were dancing away. It was magical.

      Yes, crossed appendages.

      1. Many, many thanks for such a wise, understanding response. Love your ending paragraph.

        1. You are, of course, welcome. I love those moments of surprise and amazement.
          I just remembered going to the wedding of friends of friends – its a long story. The bands were Grand Funk Railroad and The James Gang (who became the Eagles). They had both been booked before they became legendary but kept their agreement anyway. They each played really long sets. It was boggling.

  2. I share your opinion that personal stories are powerful and need to be told. The book that I had published year holds very personal accounts of both the people that I interviewed and of the place that I call home.
    In regard to blues music, I love the old Mississippi Delta bluesmen. Skip James, Son House, and of course – Robert Johnson.

    1. I have not read your book as yet and I have been drawn to it for just the reasons you listed. As to blues, I worked in a coffeehouse while in high school, where Chicago blues bands would drop by and play between gigs elsewhere. It was exciting and brilliant.

      I think that as artists we gather and protect stories, and give them back to the communities who lived and own them. That of course makes the arts dangerous and rewarding.

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